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After the Cultural Revolution, the Chinese aspire to some form of freedom, a kind of history that in many ways to give flexibility to the repressed feelings that have suffered from the culture of Mao. Last week, a new national museum opened in Beijing, which in many ways this scenario can illustrate the current complex.

First, there are German conservatives at the opening of the National Museum of China, which sends a clear message of their own insecurity. The exhibition is a mix of recreation for the history of China and the glory of the Party, while the forms of worship to the West under the title “The celebration of the European Enlightenment.” Perhaps the explanation lies precisely in the absence of any cultural value that remained after Mao. One can agree or disagree with their views of culture, but nobody can deny that he had a clear vision, a leader Mao Mao, the sun shines in China. German Chinese share the same values ​​and the cult of the order and power. It is a mixture of hazardous and problematic as history has proven that occurs when people are subjected to these ideals. The new museum also reflects another Sino – German passion massive structures to celebrate the conquest of power.

The national museum is in many respects may better represent the course of modern Chinese culture, a large empty space, carefully guarded, richly constructed for the few people who will probably remain empty most of the time because, apart from visits to selected or foreign guests can come and enjoy the new prosperity in China. The interior of the object the most famous is described as “precious national treasures” is the famous cowboy hat of Deng Xiaoping, used in a rodeo, while visiting the United States. Outside, you can still experience the presence ambitious and disturbing the army with soldiers marching before clinically selected the Museum of German-designed choreography for the placement of the order and military power, now manufactured in China.

Museum architects, including Germans, have highlighted how the regime of greatest concern was that the museum was built as the largest in terms of size, not the cultural and artistic value.

Since the 1930 and 1940, superheroes have provided fans with a prototype of a comic book hero of all Americans who, through superhuman powers to protect the public from danger and harm. Workers cabin glasses that looks like Clark Kent, who, at any time, it becomes very sweet and Superman, the inept student Peter Parker look like by day, and Spiderman at night, to the socially awkward teenage girl who dreams of becoming a calm and cool when I grow up Wonder Woman. Hollywood filmmakers realize the appeal of superheroes to the public, and took this fascination with the introduction of Superman in 1978, with the man of steel and perfectly cast, with blue eyes Christopher Reeve in the title role. This franchise, as well as superhero movies later, he opened the door of merchandising millions of dollars generated in each element of novelty imaginable – T-sheets, and posters of the lunch box.

In addition, thousands of dollars change hands for high-end auctions real movie props. Children who have a five-dollar action figure now able to spend five thousand dollars is just a piece of their favorite character costume to use the descriptions of the film.

In addition to the movies, superheroes appeal still an important part of traditional society, a series of lectures entertainment happening throughout the country. superconducting Florida in 2011, to be held in July in Miami, is expected to draw thousands of comics and superhero fans. Along with familiar faces, is also a comic book artist on the spot, as well as the first edition of Film Festival Geek self-described nerds, and lovers of all animated. So the heads of all the heroes not-yet-known super wants to save the world, this can only be a great opportunity to find out.

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